The inspiration is of course this lovely illumnation from the Grosse Heidelberger Liederhandschrift a.k.a Codex Manesse; a German manuscript illuminated between 1300 and 1330.
Link to a much larger version here.
Both garments are made from thin wool or wool mix. The tunic is a mix of wool and cotton, an uncommon combination in period, but a linen/wool mix wouldn't have been that uncommon. The surcoat is a wool twill, lined with a thin beige wool tabby. In the period fur would have been a more common choice, but both wool, silk, and fustian - a linen/cotton mix, were used as lininings. There is in fact even a medieval German and Scandinavian word for thinner wool used for linings "foderduk"/"Futtertuch".
The tunic is a rectangular cut, with gores in the sides, back, and front. The sleeves are made after Herjolfsnes 41, with modifications to make it fit this earlier period better: i.e. wider over the upper arm.
The surcoats has slits in the front and back and quite large armscyes.
I used the same rather stiff Indian trim for both the sleeves on the green tunic and around the neck of the pink surcoat.
I have an instruction about how to shape stiff trim around a round neckline here.




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