Going fantasy again: wire crowns

 So, I continue with my fantasy costuming. This flare of interest in fantasy outfits comes from when I "needed" a fire themed crown for an Elf king in August. So I thought: why not try making oen from aluminum wire and glass beads, the latter I have more than enough of.

So I made this crown:

And, which is not uncommon, I got really inspired and ordered lots more wire in different colours.

And I made a earth element/forest crown:

Both these have braided wire as foundation, but for the water crown I used another technique, that I have use previously for circlets to wear with veils - though that was more than 15 years ago.

Here you have two rings of thicker wire, and use thinner wire to weave beads between the two thicker ones. The aluminum wire is a little soft and bendy for this, but it is okay, especially if you add other things to teh circlet, as I did.

Finished:

I am working on an Air crown too, but got sidetracked by making a water gown, so that I could have a photoshoot last weekend, when Rickard and I had rented a cabin by a lake.It is easier to take water themed photos with a lake at hand ;)

This is the beginning of the air crown - I am working with clear, and iridescent glass beads to get a light and airy feeling.

Wanna hear me talk? About cotton?

 Tonight at 7 pm EST (European Summer Time) I am giving a lecture on Cotton in the Middle ages as part of Virtual FrockCon - if you're at all interested in historical costume, which I assume that you are since you are here, you really should check out Frock Con, there's lots of interesting stuff.

Anyway, my class is here, on facebook live . It's my first time using facebook live, so let's just hope all goes well.

A late 16th - early 17th century kirtle from linsey wolsey

I haven't done much 16th century the last years: two German gowns, one more for fun than anything serious (it was a rose themed party and I made it in a week), and a Venetian gown which has now temporarily been turned into a fantasy gown. 
But once I had lots of 16th century garb (well, technically I still have it) and once in a while I feel the urge to make something from this period. Now I feel it stronger, because I miss my Mistress Helwig, and the other members of House Duck and Three Scissors, people who often wear and make 16th century clothing. So one reason why I started this kirtle is to connect to SCA friends that I can't see in person now.

The other reason for making this is that next year Gothenburg celebrates its 400th anniversary and I have planned to make a burgher's class outfit from 1621 and luckily the shape of kirtles, as far as we can deduce from artwork from the period didn't change that much, or at all, so with thew correct jacket and headwear, apron, and ruffs it ought to work. It is nice to be able to wear the things you make more than once.

Except for the boninng channels in the linen lining - I used the layout of Dorothea Sabina's stays, it is all hand sewn. the lining f the bodice is two layers of linen and the top fabric is a 50% linen 50% wool fabric. The guards at the bottom of the skirt are fulled wool.

Obviously I am not correctly dressed in these photos - my hair is put up with a scrunchie!

Under the kirtle I am wearign my first hand sewn linen 16th century smock, which is now 20 years old, and a rather stiff fustian petticoat. In the photo to the right I am also wearing a small roll stuffed with cotton batting, but not in the left, I have lots of fluff, so I really don't need much help in that department. In the photos below I have  the roll in the photo to the left, but not in the one with the 20 year old jacket. Which is based only on Drea Leed's doublet, I had no research on my own about 16th century costume when I made it ;) 

The coif and forehead cloth that I am wearing is machine embroidered by my friend Alfhild as a gift when I became a member of the Order of the Laurel. Hair is still in a scrunchie under it ;)

18 years in the life of a dress - a story in images

In 2002 I made this dress for an event in March. Our whole local group were making clothing inspired by images in the early 14th century manuscript Codex manesse, or Grosse Heidelberger Liederhandschrift.
It's made in green thin wool, and it has been used A LOT. You can read more about the dress here.

Here are photos of me and my husband, and lots of our friends. Back then I didn't have a digital camera, so I have very few photos from this time. More photos from this event can be seen here.

The trim at the sleeves is made with brass thread woven into it, but I never really liked how it looked, so I removed it in 2007, five years later

Here are some photos me in it without trim.

2007

2007

2008

When Måns and I became baron and baroness of Gotvik in 2016, I decided to bling it up a little again, and added a much nicer, vintage trim that I got from Passamaneria Valmar in Florence.

Here I am wearing it for a masked ball at Double wars in 2017:

Last week I decided to use it for Gotvik's second summer picnic this year:

And I noticed, that 18 years of dragging the hem on the ground had unsurprisingly caused some damage.

Since it was about a foot longer than to the floor anyway, there was enough fabric to cut off about 2,5 cm/an inch and re-hem it.

But, since the dress had been made when I wasn't as I am now at both this period of dress, and at constructing patterns, I decide to change some other stuff: I took it in 2,5 inches/ca 6-6,5 cm at the bust - yes, it should be loose, but this was enormous, it fit me better when I weighed 98 kilos - and I scooped out the armscyes more in the front to make it look more like preserved garments, and I also took it in a little at the shoulder, so that it fit my shoulder width, I have rather narrow shoulders, especially for someone my size.

So, this is how it looks now - still a loose fit, but better fitting.

I was inspired by this image from the Grosse Heidelberger Liederhandschrift for the photo.

As you see: green cotte, pink cloak, fillet with wavy edge, and a veil with trim along the edge. And a dog. I don't have a dog. But I have two cats, this is Esau, who doesn't want to be there.

And a few photos without the cloak.

It is still very wide.

Close up of the trim:

My new green wool 12th century gown has its own page now

The 12th century used to be one of my go to periods twenty years ago or so, but since than I haven't worn it much. However, having a baron and baroness wearing 12th century styles for hteir investiture inspired my to wear some of my old stuff, and then to make some new stuff. It also helped that I had found this gorgeous thin green wool fabric. The dress was finished a few weeks ago, but I also needed the under layers - and for it to be cool enough for me to want to put it on.

Yesterday was that day, so hubby and I went out to take photos.

Since I am on sick leave for exhaustion/burn-out I have plenty of time to sew, but very little energy to start projects - not to mention reading or writing, which is really, really hard. But given enough time some things actually get created, and even written about, which this is the proof of: A page for my new gown with some info on how I made it and lots of pretty pictures.

Gotvik's summer picnic in Corona times

Saturday was Gotvik's traditional summer picnic. We kept 1,5 metres distance (or more), unless you lived together  and of course no one with symptoms attended. So I deemed it safe enough, even if I am immunocompromised.
BUT I can't go on public transport, That's too risky - so I took my bike, and headwear that I could wear under my helmet, that is: a St. Birgitta cap. It was 6,4 kilometres and, as always in Gothenburg, rather hilly.

We did have a jolly time in the  sunny weather.

 I made a version of Torta d’herbe alla Lombarda with cottage cheese, eggs, wild mustard garlic and oregano and rosemary from my balcony. It's the first time that I made a pie without a pie form. The dough is hot water, a little oil, salt, and wheat flour.

Here are some photos of us that attended. 

I wore my Italian c. 1300 cotton gown  I was rather interested in keeping cool since I was biking a distance in 27 degrees (80 F) in the shade and strong sun

As you can see in the photo below I was bsuy sewing, I started on a supportive linen shift, which I finished on Sunday afternoon.

After the picnic I biked to a lake, which added some extra kilometres (and steep hills), so I ended up with a neat 20 kilometres of biking that day.

Today I'm off for a hike. I am walking through the forest, and sleeping one night there, to go and see some SCA friends who live 45 kilometres away. I don't have a driver's license and I felt mroe like hiking than biking, because I really look forward to sleeoign in the woods.

I have finished my green 12th century gown

It is all hand sewn from wool, with silk thread, and the embrodiery is silk floss and "metal" thread (metal wrapped around a thread), using split stich and couching. There is also applique from silk, and glass fake pearls.
The embroidery is inspired by the borders seen on clothing in illuminations and sculpture, and by period embroidery, but since the visual sources aren't that detailed I also used my own creativity. I included elements from my heraldry, and other motifs that are meaningful to me, like hawthorn leaves. I will of course write much more about my inspiration and sources, and the construction, which is basically rectangular, when I make a page for it.

I am going to make a new undergown first. I have good undergowns, but I really wanted a new. I will also order a tablet woven belt. I can do tablet weaving, but I'm not really that interested, and my weaving isn't good enough as it is.

When I have finished all parts, I might make a new veil too, though I have plenty of veils, I will take proper photos.