Progress on the striped gown

I am terribly busy these days: I am evaluating a manuscript for a PhD thesis and writing a report about it, I have a class at Drachenwald's Online Kingdom University, this time in collaberation with the Kingdoms of Atlantia and Lochac, so it's actually the Tri-kingdom University next Saturday, which is far from finished. My apprentice Alfhild de Foxley is not only the University chancellor for the Drachenwald Online University, but also was theone who took initiative to make this an intervcontinental event - I am insanely proud of her. I am also doing calligraphy and illumination for Nordmark's Coronet Tournament, and I have started a knitting project. Having a really bad flare in my psoriatic arthritis, and sinusitis doesn't help at all.

But I have hand sewn the body of the striped surcoat. Next Step is ironing and felling the seams.

But first more writing.

Another Italian 14th century gown

As you might remember I got tipsy from mimosa in Hans-Gunnar's market tent on Tuesday of the Medieval week. And ended up buying this fabulous wool fabric from Historiska Rum.

I had first planned to make a pretty straight forward late 14th century gown with horisontal stripes, maybe buttoned. But then I remembered this fantastic gown on a fresco by Bonamico Buffalmacco.It is from the Piazza de Miracoli in Pisa, an dwas made  between 1336 and 1341.

And the idea wouldn't go away. This gown had been a part of my life since I was a child in the 1970s. Because in my mum's "Housewives's lexicon" in four volumes there was an article about fashion history. There were modern drawings of clothign from diefferent ers, and one of those reperesenting the Middle Ages, was thsi one. Though I didn't realise this until maybe ten years ago.  

So the idea to make a diagonally striped gown kept living in the back of my head.

I knew that I would have to be extremely careful when cutting out the fabric, and try carefully if it was even possible to fit it on the fabric. This is a littel unusual for me - I usually freewheel a lot of my cutting. But I now I had to actually make a full size pattern, and a full size mock-up. After fitting the mock-up I unpicked the seams, so that I could use them as pattern for cutting.

That wine red linen is actually going to be a non-medieval dress.

There was enough width to make a diagonally striped dress, and enough remnants to make short , hanging sleeves. After I have made mock-ups for that too.

I am not particularly good at focusing on one project at a time, by the way. I have finished one of my cut work sleeves, and I am working on the other one. I am also knitting a fair isle slipover; becuse why not?

working on my 16th sleeves

I have been busy working, and making a modern wool skirt, but I AM also working on my cut out velvet sleeves.

The flowers are not perfectly even, but perfection is rare in period.

The wool skirt in question 

Yes, we have lots of snow for Gothenburg right now . 

A headband for my 14th century Italian Cocharelli outfit

 Like any normal person I had started on/prepared for two hand sewing projects for my New Years Eve celebration.

The first was this headband made from a piece of vintage metallic trim, faux peaels and glass beads, and thrifted vintage grosgrain ribbon on the inside.

This is how it is supposed to look:

I realised when I was going to take the photo that the braids should have been made in a way that covers the ears. But by hten I wasn't interested in re-doing my braids just for a photo. For the next event, well, that is different.

As a very 1980s barbarian princess look.

And yes, I started on the sleeves too, after all: we had the whole "Chicago" and "Gentlemen prefer blondes" to watch through before the clock struck twelve.

Happy New Year everone! May it be better than the last one.